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  • Winogrand's Women Are Beautiful

    Untitled (Centennial Ball, Metropolitan Museum, New York), 1969, gelatin silver print, Gift of the Schorr Family collection, 1991.269 © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

    Untitled (Centennial Ball, Metropolitan Museum, New York), 1969, gelatin silver print, Gift of the Schorr Family collection, 1991.269 © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco


    August 9 - November 10, 2013

    Hailed as a pioneer of the "snapshot aesthetic," Garry Winogrand used a wide-angle lens on his Leica M4 camera to produce spontaneous images emphasizing how everyday subjects, like people, dogs, or crowds, interact with the landscape around them. His work features oblique perspectives, often resulting in awkwardly composed photographs made by the stealthy eye of a private investigator. However, Winogrand is also routinely criticized for exploiting the subjects of his work. In particular, his 1975 publication Women are Beautiful features eighty-five photographs of young adult women, typically composed to emphasize their breasts and backsides.

    Friend and fellow photographer Joel Meyerowitz, said of Winogrand, "[his] pictures are both a slam and an embrace. He's a contradiction, and so the pictures are contradictions." Featuring sixty-eight photographs from Women are Beautiful, this exhibition attempts to negotiate these contradictions to provoke a new and insightful engagement with Winogrand and his conception of "what women are".

     

    Select Images

    1991-269 1991-280 1984-109 1984-112

    Press

    artdaily.org
    theadailybeast.com
    Wall Street Journal

    Responses

    Holy Cross Student Responses

     

    Interview with Curator Nancy Burns


    Read more at telegram.com

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