The Annunciation

	FRANÇOIS BOUCHER French, 1703-70 The Annunciation, about 1749 Black chalk drawing on cream laid paper Eliza S. Paine Fund 1976.3
Copyright Notice
A celebrated artist in his day, Boucher was favored by Madame de Pompadour and was named First Painter to King Louis XV. He gained further renown as a superb, versatile draftsman, and his drawings in many different media were highly regarded by collectors during his lifetime. In both painting and drawing Boucher treated a great diversity of subjects, including mythology, nudes, landscapes, genre scenes, and portraits. To his contemporaries Boucher's theatrical realm of sensuous make-believe seemed appropriate for such worldly themes yet less suitable for religious topics. Within the scope of sacred subjects, his drawings- made chiefly for himself- far outnumbered his paintings. Worcester's drawing shows the angel Gabriel hovering near Mary, to announce to her that she will bear the Son of God. Above, reclining on a cloud like a pagan divinity, God the Father releases the Dove of the Holy Spirit. The rounded top of the drawing suggests that it may have been a design for an altarpiece, perhaps a preliminary sketch, as indicated by the loose handling of the black chalk. -AD
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FRANÇOIS BOUCHER

French, 1703-70

The Annunciation, about 1749

Black chalk drawing on cream laid paper

Eliza S. Paine Fund

1976.3

A celebrated artist in his day, Boucher was favored by Madame de Pompadour and was named First Painter to King Louis XV. He gained further renown as a superb, versatile draftsman, and his drawings in many different media were highly regarded by collectors during his lifetime. In both painting and drawing Boucher treated a great diversity of subjects, including mythology, nudes, landscapes, genre scenes, and portraits. To his contemporaries Boucher's theatrical realm of sensuous make-believe seemed appropriate for such worldly themes yet less suitable for religious topics. Within the scope of sacred subjects, his drawings- made chiefly for himself- far outnumbered his paintings.

Worcester's drawing shows the angel Gabriel hovering near Mary, to announce to her that she will bear the Son of God. Above, reclining on a cloud like a pagan divinity, God the Father releases the Dove of the Holy Spirit. The rounded top of the drawing suggests that it may have been a design for an altarpiece, perhaps a preliminary sketch, as indicated by the loose handling of the black chalk.

-AD

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